Poetic obligation : ethics in experimental American poetry after 1945 / G. Matthew Jenkins.
2008
PS325 .J46 2008
Available at Prose
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Details
Title
Poetic obligation : ethics in experimental American poetry after 1945 / G. Matthew Jenkins.
Author
ISBN
9781587296352
1587296357
1587296357
Imprint
Iowa City : University of Iowa Press, c2008.
Description
xv, 263 p. ; 25 cm.
Exhibited
2009 Poets House Showcase
Call Number
PS325 .J46 2008
Summary
"Since at least the time of Plato's Republic, the relationship between poetry and ethics has been troubled. Through the prism of what has been called the "new" ethical criticism, inspired by the work of Emmanuel Levinas, G. Matthew Jenkins considers the works of Objectivists, Black Mountain poets, and Language poets in light of their full potential to reshape this ancient relationship." "American experimental poetry is usually read in either political or moral terms. Poetic Obligation, by contrast, considers the poems of Louis Zukofsky, Charles Reznikoff, George Oppen, Edward Dorn, Robert Duncan, Susan Howe, and Lyn Hejinian in terms of the philosophical notion of ethical obligation to the Other in language. Jenkins's historical trajectory enables him to consider the full breadth of ethical topics that have driven theoretical debate since the end of World War II. This original approach establishes an ethical lineage in the works of twentieth century experimental poets, creating a way to reconcile the breach between poetry and the issue of ethics in literature at large." "With implications for a host of social issues, including ethnicity and immigration, economic inequities, and human rights, Jenkins's imaginative reconciliation of poetry and ethics will provide stimulating reading for teachers and scholars of American literature as well as advocates and devotees of poetry in general. Poetic Obligation marshals ample evidence that poetry matters and continues to speak to the important issues of our day."--BOOK JACKET.
Review
"Since at least the time of Plato's Republic, the relationship between poetry and ethics has been troubled. Through the prism of what has been called the "new" ethical criticism, inspired by the work of Emmanuel Levinas, G. Matthew Jenkins considers the works of Objectivists, Black Mountain poets, and Language poets in light of their full potential to reshape this ancient relationship." "American experimental poetry is usually read in either political or moral terms. Poetic Obligation, by contrast, considers the poems of Louis Zukofsky, Charles Reznikoff, George Oppen, Edward Dorn, Robert Duncan, Susan Howe, and Lyn Hejinian in terms of the philosophical notion of ethical obligation to the Other in language. Jenkins's historical trajectory enables him to consider the full breadth of ethical topics that have driven theoretical debate since the end of World War II. This original approach establishes an ethical lineage in the works of twentieth century experimental poets, creating a way to reconcile the breach between poetry and the issue of ethics in literature at large." "With implications for a host of social issues, including ethnicity and immigration, economic inequities, and human rights, Jenkins's imaginative reconciliation of poetry and ethics will provide stimulating reading for teachers and scholars of American literature as well as advocates and devotees of poetry in general. Poetic Obligation marshals ample evidence that poetry matters and continues to speak to the important issues of our day."--BOOK JACKET.
Bibliography, etc. Note
Includes bibliographical references (p. [243]-258) and index.
Formatted Contents Note
Introduction: The double-double turn
pt. 1. Objectivist poethics
Saying obligations: George Oppen's Of being numerous
A phenomenology of judgment: Charles Reznikoff's Holocaust
pt. 2. Excess and eros. The ethics of excess: Edward Dorn's Gunslinger
The body ethical: Robert Duncan's Passages
pt. 3. An ethics of sexual alterity. The nearnes sof poetry: Susan Howe's The nonconformist's memorial
Permeable ethics: Lyn Hejinian's The cell
Conclusion: What difference does poetic obligation make?
pt. 1. Objectivist poethics
Saying obligations: George Oppen's Of being numerous
A phenomenology of judgment: Charles Reznikoff's Holocaust
pt. 2. Excess and eros. The ethics of excess: Edward Dorn's Gunslinger
The body ethical: Robert Duncan's Passages
pt. 3. An ethics of sexual alterity. The nearnes sof poetry: Susan Howe's The nonconformist's memorial
Permeable ethics: Lyn Hejinian's The cell
Conclusion: What difference does poetic obligation make?
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