Another E.E. Cummings / selected and introduced by Richard Kostelanetz with John Rocco, assistant editor.
1998
PS3505.U334 A6 1998
Available at A-Z Collection
Formats
| Format | |
|---|---|
| BibTeX | |
| MARCXML | |
| TextMARC | |
| MARC | |
| DublinCore | |
| EndNote | |
| NLM | |
| RefWorks | |
| RIS |
Items
Details
Title
Another E.E. Cummings / selected and introduced by Richard Kostelanetz with John Rocco, assistant editor.
Edition
1st ed.
ISBN
0871401576
9780871401571
9780871401571
Imprint
New York : Liveright, c1998.
Language
English
Description
xxv, 310 p. : ill. ; 22 cm.
Call Number
PS3505.U334 A6 1998
System Control No.
(OCoLC)33668061
Summary
Here is an eye-opening selection of Cummings's most avant-garde poetry and prose. Cummings was a pioneer in sound and concrete poetry. He worked with the traditional form of the sonnet until he made it all his own through linguistic and typographic inventions that have never been properly recognized. His prose is no less experimental; he wrote memoirs, essays, and fiction that are constantly provocative and often radically experimental.
Note
Includes index.
Formatted Contents Note
Deviant Traditional Verse
Erotic Poetry
Language Experiments
Visual Poetry and Sound Poetry
Texts Set to Music
Condensed Prose
Elliptical Narratives
A Book without a Title
Film Scenario
Translation
Arts Criticism
Self-Prefaces
To Ezra Pound
Nonlecture Four: I and You and Is
Introduction to The Enormous Room
Why Do You Paint?
No Thanks
Memoir
To Whom It May Concern
From The Enormous Room
From Eimi
To S. Foster Damon.
Erotic Poetry
Language Experiments
Visual Poetry and Sound Poetry
Texts Set to Music
Condensed Prose
Elliptical Narratives
A Book without a Title
Film Scenario
Translation
Arts Criticism
Self-Prefaces
To Ezra Pound
Nonlecture Four: I and You and Is
Introduction to The Enormous Room
Why Do You Paint?
No Thanks
Memoir
To Whom It May Concern
From The Enormous Room
From Eimi
To S. Foster Damon.
Added Author
Record Appears in